Leticia Collet is a singer-songwriter, pianist and vocalist from Liège who has been active on the Belgian music scene since 2010. Known for her work with bands such as Dan San, Noa Moon and Antoine Wielemans, it is through her solo project Condore that she has continued to make her mark since 2017.

Condore is a world of its own, an intimate journey between shadow and light, a cinematic, introspective and haunting sound, where beauty flirts with the bizarre. Carried by a fragile, spellbinding voice, endlessly refracted through floating vocal harmonies that lend each track a spectral depth, Condore’s music evokes the spirits of Patrick Watson, Agnès Obel and Aurora, with its ethereal piano, organic arrangements and suspended melodies.

But behind the apparent gentleness lies a more troubled world, an inner theatre with the air of a strange tale. There we encounter ghosts of childhood, wounds beneath the skin, familiar yet unsettling creatures, and a feminine personality as sensitive as she is saturated with rage and passion. Somewhere between a lullaby and a muffled cry, Condore opens an intimate dialogue with those who can hear the essence hidden within the silences.

Her debut EP, Jaws, released in April 2019, was followed by a debut album, Winding Whispers, in 2022, supported by the Label and Jaune Orange Records, with booking handled by Odessa Maison d’Artiste, and covered by numerous enthusiastic press articles.

For the past eight years, Condore has been presenting his world live in a variety of contrasting formats: solo, as a trio with Alice Belflamme (Rosa, Zaï Zaï…) and Charlotte Maquet (Aucklane), as a quartet with Olivier Cox (Dan San, Sharko…) or even with a 12-piece line-up on stage featuring the vocal ensemble Friday Fridas.

These performances have been noted and praised for their suspended, timeless moments, including at venues such as Le Cirque Royal, L’Ancienne Belgique, Le Théâtre de Liège, Le Reflektor and on numerous other stages in Belgium, France, Switzerland and Tunisia.

Several tracks have also been brought to life on screen through collaborations with various directors from the Wallonia-Brussels Federation, including Caméra Etc. and Studio WaOoh.

Scheduled for release on 22 May, his new EP, Sorry for the mute crumbs, builds on his previous album whilst bringing an important chapter of his artistic journey to a close.

That of an intense period of life, marked by powerful personal experiences and collective adventures on the road.

But this EP is also a new beginning: a fresh start, a new era for the project.

Still centred around the piano and vocal harmonies, the new tracks have gained in maturity and simplicity. The arrangements are more understated, deliberately leaving room for the essentials. New instruments appear – harp and flute – bringing an organic and delicate texture to this already deeply cinematic world.

The lyrics explore intimate and often unspoken emotional territories: depression, eating disorders, suicide. Difficult themes, tackled head-on, yet with great gentleness. Each song is intended as a place of refuge: beautiful, sometimes uncomfortable, but sincere. An introspective journey that sketches out, for the artist as much as for their listeners, a possible liberation.